Author Archives: oblongmagazine

Plight of Tortoise Demonstrates “Wet-to-Dry” Future of Divisive Runt-Fiction

by Art Bupkis

A Drabble (100 words)

Old Mr. Tortoise was very old indeed. As he crawled once more upon the small white pebbles that covered the garden path, it now occurred to him that he had little idea of where he was going, and even less idea of why.

But did it matter? Above a single cloud floated by. It was a pleasant day. He let his four stout legs keep going, step, step, step, step, as they had before.

Still, after a while, he started to wonder if, somehow, it might matter after all. He wasn’t sure. He stopped to think.

Soon nothing mattered, ever again.

A Dribble (50 words)

Tortoise was old, and it now occurred to him that he had little idea of where he was going, and even less of why. But did it matter? It was a pleasant day for a walk.

…Or maybe it did matter. He stopped to think.

Soon nothing mattered at all.

A Drip (25 words)

Old Tortoise now realized he didn’t know where he was going, or why. Did it matter? He stopped his walk to think.

Soon nothing mattered.

A Drizzle (12.5 words)

An old tortoise got lost, stopped to ? why, and died clueless.

A Drop (6.25 words)

Old Tortoise just seized up & died.

A Dew (3.125 words)

Tortoise paused… dead.

A Drool (1.5625 words, baby-talk)

Tata, tors.

A Feghooter’s Dry-Heave (1 word)

Rigor-tortoise.

Desiccation (0)

(Ω –>. †)

                                                                                                 >;-) > .

Philosopher, poet, and small-time humorist, The Rt. Rev., Professor, Dr.Art Bupkis, is a literary ward of L. R. Baxter, a professor at the University of Florida.

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An Urgent Message from the Gone-Wrong Department

by J. J. Steinfeld

Sitting in his small office in the oldest building on campus, an office he has used for a decade now, the English professor was having an unproductive, horrible morning. He was attempting to revise his paper on Emily Dickinson for a forthcoming conference on 19th Century Women Poets, but nothing seemed to be going well, not least of which was a phone call from his wife telling him she had decided to take the teaching job on the West Coast, even after he had told her that he had to stay on the East Coast, close to his aged and ailing parents. And this morning his novel had received its thirteenth rejection, not that he was superstitious, merely depressed over the prospect that perhaps he would never have a novel published. He was determined to reread every single Emily Dickinson poem in one day, that would be about a hundred poems an hour if he read for eighteen hours, which he planned on doing, but after a morning of reading Emily Dickinson, poems 1 through 100, he decides to take a long walk downtown, stumbling turning to easy strides, hoping for inspiration or fresh air, whichever comes first, his daydreaming walk broken by the body in the street as if it were an urgent message from the gone-wrong department. That is how he describes it in his thoughts, hoping he can remember this absurd description for the novel. Why today of all days, he berates himself, had he forgotten to bring a notebook and pen with him.

He attempts to ascertain if the man, motionless as absence or regret, is dead or passed out, not this isn’t his area of expertise, he thinks, but he has seen pulses taken on TV and in movies in theatres. There is a character in his novel who goes to a movie theatre every evening, sits in the same seat, day after day for three years, and dies in the middle of a film about a blind man who is attending his first film.

The professor wants to see the stricken man’s chest rise, a pronouncement that the man is holding on, and just as he begins to invoke God’s help, the elderly man says, ‘Thanks for the concern but I’ll be okay. I swim in whiskey and I don’t need no personal-flotation device.’

That’s amazing, brilliant, the professor thinks, wanting to remember every word the elderly man is saying.

Made a career of sweating the small stuff, the theological at tea time, he hears, but no, that’s within him: imagination frolicking amidst the sad compassion, an unsatisfactory art form disenchanted, disenfranchised. It is a warm morning, too warm for this time of year, he had not eaten breakfast, his concerns over everything that had distressed him this morning, he tells himself, wanting plausible explanations for his usual thoughts.

‘I will not last, I came in last,’ he hears.

The tyranny of endings a taste of beginnings, he thinks.

‘When the bloodless start to bleed,’ the elderly man says, and the professor ponders the words, wondering what in the man’s life had inspired this sort of thinking and talking. He wants to understand this man who, he feels, has the potential to become an engaging character in his novel. He estimates the man is at least eighty, twice his age, would make him even older if he becomes a character in his novel.

‘You have a poetic way of speaking,’ the professor tells the elderly man, who is still on the sidewalk, the discomfort on his face disappearing.

‘I’ve always liked poetry, but I haven’t written a poem since I was a young man. Emily Dickinson is one of my favourites.’

‘Why’d you say that?’ the professor says accusingly, annoyed that the elderly man might be tampering with his morning and mind.

‘Last year I heard you give a lecture at the university about dear Emily,’ the elderly man says.

The professor closes his eyes and seems to thank God for the explanation. Which number poem of Emily Dickinson’s do you favour? She penned nearly 1800, you know. Should I call an ambulance or recite one of Emily’s poems about Death and the Eternal? Does he say this or think it, the professor wonders. Whichever, he hopes to hold on to the words for his novel.

He feels his right arm grabbed; he smells the whiskey, sees the toothless mouth and the smile, the knowing smile, and before the professor gets one syllable further in his revised novel, he hears loud and clear, ‘I’ve nipped your soul…’

 

Canadian fiction writer, poet, and playwright J. J. Steinfeld lives on Prince Edward Island, where he is patiently waiting for Godot’s arrival and a phone call from Kafka. While waiting, he has published fourteen books — ten short story collections, two novels, two poetry collections — the most recent ones being Misshapenness (Poetry, Ekstasis Editions, 2009) and A Glass Shard and Memory (Stories, Recliner Books, 2010). His short stories and poems have appeared in numerous anthologies and periodicals internationally, and over forty of his one-act plays and a handful of full-length plays have been performed in North America.

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In the Shadow of Bukowski

by Catfish McDaris

 

Chazmo stepped off the train from New York, the heat was a stifling Boston strangler. We decided on a quick visit to the Art Institute near Lake Michigan. Five black kids were beating the hell out of upside down buckets, the sound ricocheted bullet like through the Chicago air, I dropped a fin in their donation tackle box. Chazmo wanted to see some Pablo and Vincent work and I opted for Grant Wood and Otto Dix. I gazed at a Wood and scribbled a poemthought.

 

Reading Between The Strokes

 

Standing in the city of wind

staring into a painting called

Death On Ridge Road

I am mortified

 

Unseen people in a car are

about to have a head on

collision with a monster truck,

death is a certainty

 

I wonder if it’s the plain

Jane & her farmer father

with his pitchfork from

American Gothic

 

Or maybe just a car load

of Grant’s imagination.

 

Two gorgeous ladies looked over my shoulder as I wrote. Chazmo watched, amusement dancing in his eyes.

 

‘Are you famous?’ hooter heaven asked.

‘Ever hear of Bukowski and Dylan Thomas?’

‘They’re nasty and our favorites,’ they squealed.

 

I fondled them both, to Chazmo’s amazement and slipped them a poem. They gave me a C-note and a stone bone, unfortunately I had no time to bury it.

Under the elevated tracks we ate chile rellenos and talked writer trash. When the trains rumbled overhead, the stems of our chiles shook like rats’ tails in a Mexico City earthquake. We walked and saw a Picasso sculpture and the Sears Tower shrouded in fog. Sipping double martinis in the marble slabbed Union Station, I showed Chazmo where they had shot the scene of the baby carriage bumping down the stairs in the movie, The Untouchables. We finally boarded the train for Kansas and our trip to see William S. Burroughs and Allen Ginsberg. The trip was uneventful except for the peyote dipped in honey and a pretty freckled face hillbilly going down on me.

A man with a sky blue turban and a handle bar mustache picked us up. He put paper grocery sacks over our heads and drove us to our destination. Escorting us from the car into the building, he removed our blinder bags. We were in a large room with stuffed bear heads, deer, mountain goat, lion, rhino, giraffe, moose, bobcat, and a huge catfish all staring at us malevolently from the walls and a full sized gorilla. Fractured lights reflected from lifeless eyes creating a strobe like psychedelic rainbow effect. An eye glassed gray man and a thin wild eyed man sat at one end of a long mahogany table, smoking what smelled like opium mixed with hashish and marijuana. Two places were set for Chazmo and I midway down the table. Chazmo had met them both many times, for me it was the first.

‘Have you ever known the ecstasy of having your anus penetrated and stretched by carrots and cucumbers?’ the gray man asked. Neither of us made a comment, we just looked quizzically at the zoo of death.

The thin man had three pistols of varying sizes lying next to his plate. Drinks were served by our chauffer. Every so often, the thin man raised a pistol and fired into the gorilla standing behind us. Every time the guns went off, the gray man would smile at our discomfort and squirm his ass around on his chair. It was unnerving to say the least.

The first course of dinner arrived, it was carrot and cucumber soup. Chazmo and I both declined, claiming we were strictly carnivorous, trying to offset the trend toward vegetarianism. Both of our hosts grinned at our obvious prevarication. They winked suggestively.

Excusing myself, I climbed out the bathroom window and escaped across the ripe summer fields of wheat. Chazmo also extricated himself from the queer surroundings and departed for the city of seven hills. I returned to the land where three rivers meet.

 

– Catfish McDaris has been active in the small press world for 20 years. He’s tamed wild horses, made cattle troughs, worked in a zinc smelter, & painted flag poles. He lived in a cave & wintered in a Chevy in Denver. He ended at the post office in Milwaukee, after 34 years, a catfish farm is next, he hopes. His biggest seller was ‘Prying’ with Jack Micheline & Charles Bukowski.

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Cartography

by Matthew Salyers 

He was fifty-two and he had hair but not a lot of it and the hair he did have was more gray than blonde, matted to the skull with a licked palm or sometimes a loogie that had a yellow tint because of phlegm from a smoker’s cough, and he would be the first to tell you on a scale of one to ten with one being a job and a family and a roof over his head and ten being the lack of all these things he was a conservative nine because he was the type of person to tell it like it is, maybe not exactly like it is but maybe more like how he saw it, and his mother used to tell him An honest man don’t got nothing to hide but his birthday suit, though he came to learn that in all reality an honest man doesn’t have anything and that is why he slept on an inflatable raft in the back of a storage closet at First Baptist Church, two blocks off of Main Street, the one with the stained glass that was real stained glass and it depicted a scene from Hebrews 12:1 – which says something like run with patience the race that is set before us – and he has undoubtedly been patient but maybe he missed the word run because the race was over years ago and he has been stealing bananas from the church kitchen – eighty-seven in a span of fifty days from June to July – while Bobby, who sat in front of him in twelfth grade homeroom and got a scholarship from Villanova to play some sport with his hands and met a girl with hips wide enough to naturally birth three boys with cantaloupe heads, drinks double malt scotch in front of his television set but that is not to say that life is without blessings because he found a package of meat sometime around the end of June, and he kept the meat in a microwave that he used as a fridge next to his raft and next to the three dozen Gatorade bottles full of piss lining the floor even though a functional bathroom was adjacent to the closet door and this made his living arrangement reek of stale salt water and ammonia (the Gatorade bottles were collected in a bin to be recycled until he found a use for them and a single bottle could last over a day because he never drank too much) and the microwave was not plugged in he wasn’t stupid it was just for storage, a sense of privacy and definition as if to say valuables do not belong next to piss and for good reason the smell of urine and raw meat does nothing for an appetite and everything had a place in the closet and he knew where everything was, like he planted a garden and could pick out the tulips lined in the back row or the marigolds clumped in the middle, and he had amassed a small collection of items intended for the homeless and needy and he thought that although he was not homeless – he did have a closet with a raft that only had a slow leak and a microwave that could hold a twenty ounce sirloin – he surely needed a plastic keyboard from the Toys For Tots box which did not have batteries but he liked the way the keys felt when he pushed them down and he could close his eyes and turn the click of a black key that he did not know as a sharp into a sound that was more reminiscent of a trumpet, unsure of how a piano actually sounded, and he imagined what his mother would say if she could see him composing like Bartok if she knew who Bartok was and she would probably say Boy you got my toes tappin’ like a dog’s tail on hardwood floor and sometimes when he was not waiting for a spring to reload underneath a plastic piano key or looking through assembly instructions for a coffee maker that had never been used he wondered if he gave his mother too much credit and maybe he blocked out all the godawful things she had said to him before falling over dead from a brain aneurysm when he was fourteen years old but it was hard to complain when he rested his head down on the green inflatable raft, pulling his shirt up to expose a bare stomach and rubbing the curly hair of his torso in circular motions like a relaxed man applying suntan lotion at the beach belly up to the clouds and it was hard to complain because he was not homeless or he was not homeless until a diminutive Peruvian man began yelling in his general direction You can’t be here! You can’t be here! and there was a moment of confusion as he felt as though he was being harassed by an intruder in his own house and questions ran through his head Who are you? What are you doing in my home? until he realized that he was actually the intruder and this was not a house this was a storage closet in a church and he gathered up all of his essential belongings in a backpack which he wore high and tight for no other reason than it was a child’s backpack and that was the only way he could wear it and there was a waddle to his walk like a mallard or more like a penguin with the weight of his entire body quickly shifting from one side to the other as he raced past the small man wearing a carpenter’s belt and holding a hammer and in the hysteria he knocked over a stack of folding tables which he would have avoided if he had time to grab his cardboard map of all the items placed throughout the closet; even in the dark he knew where everything was because a map was the only honest thing he had left anymore and he did not have many things except for what could fit in a bag made for a child.

– Matthew Salyers is a writer currently studying and teaching at George Mason University. He is a native of western Pennsylvania, not to be confused with eastern Pennsylvania. Hobbies include nail-biting, vacuuming, and obsessing over Doctor Who with his girlfriend.

 

 

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The Jerry Garcia Orchard

by Tom Sheehan

Truth:

Once upon a time there was this balls-out bike rider out to visit all the Cistercian monasteries in this here good old USA, because something told him he had to. His name was Michael. Something also told him he also had to write a whole series of Biker Prayers, laminate them on index card stock and pass them out at biker stops and gatherings. He kept at it. For a long time he kept at it, sometimes his rides out and back were as long as 7,000 miles. Michael always rode a lime-green, Softail Harley and one day he was tonguing in his mouth all the pits from a Mepkin Abbey apple he had toted all the way from Moncks Corner, Georgia, through stops at Melleray Abbey in Peosta and Our Lady of the Mississippi Abbey up at Dubuque in Iowa for the impressed idea of tossing the core of that apple, neatly left over from a chewy ride, onto the wayside moving off from the Santa Rita Abbey in Sonoita, Arizona. Long had he fantasized in riding that Sonoita road bare-ass nude, in puris naturalibus, and at one moment of the journey his sole garb was an oversize Jerry Garcia T-shirt bearing the legend of The Grateful Dead, and an odd pair of GI combat boots, the buckles yet in place. In the eternal draw that is father and son, the left boot was his father’s boot, the right boot his own that had made its way back from Europe. As Michael tossed the apple core, and spit the black pits floating in his mouth, he suddenly tossed his sole garb, the Jerry Garcia T-shirt, almost in the same motion. All sailed over the bare edge of the road that, in both directions, was empty of traffic.

Legend coming to Truth:

Everybody swears to it now, at all the bike stops along the way, from Moncks corner to Santa Rita, at all the truck stops from Dubuque to Peosta, through all the high grain northern fields and all the dark southern plantations, that today, on the way from Santa Rita, on a special stretch of that balliky biker’s road, there is now blooming a Jerry Garcia Orchard, the T-shirts coming in all sizes.

Truth:

For 43 years Michael-Michael-Motorcycle had no sight in his right eye, and it came back one day following an eye operation, after stripping off his garb, after riding free as a jay bird, after writing all those prayers and visiting all those monasteries, after doing his Johnny Appleseed thing with his balls hanging out in the breeze, riding away from the Santa Rita Abbey in Sonoita, Arizona.

Fact:

As Matt Damon should have said in Good Will Hunting, How do you like them fuckin’ apples?

Sheehan served in Korea, 1951. Books are Epic Cures; Brief Cases, Short Spans; A Collection of Friends; From the Quickening. He has 18 Pushcart nominations, in Dzanc Best of the Web 2009, and 295 stories in Rope and Wire Magazine. New eBooks from Milspeak Publishers are Korean Echoes, 2011, and The Westering, 2012, nominated by the publisher for a National Book Award.

 

 

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Oblong I due out 1st September 2012!

The debut issue features fiction from the (former) wild horse-tamer, zinc-smelter worker, flag-pole painter, post office worker and cave-dweller Catfish McDaris, a veteran of the small press world, whose biggest seller was Prying, a chapbook with Jack Micheline & one Charles Bukowski.

40+ pages of short, short fiction from both knowns and unknowns for £2.95.

Click here to pre-order a copy of the debut issue from our online shop.

Oblong I will be released on 1st September 2012 – if you buy one now we will put your name straight down on our oblong-shaped list and will send one in the post as soon as it is released.

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This Oblong is now full to the brim

Ladies and Gentlemen, the first issue of Oblong is now full so we are temporarily closed to submissions.

The debut issue is out in 12 short weeks, so do check back then to read the first piece and to find out how to buy a nice printed copy.

If you’re interested in contributing to the second issue we should be reopening submissions in late August/early September. We’ll let you know!

Also, for those interested, a quick google search tells me that the following celebrities all have Oblong-shaped faces:

Rihanna

Jessica Alba

Beyonce

Tyra Banks

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National Flash Fiction Day – 16th May

It is nine short days until National Flash Fiction Day (16th May), the UK’s first annual celebration of very short, short fiction. It’s too late to submit any work for this year’s competitions, but you may want to look at http://nationalflashfictionday.co.uk/ to see what’s happening.

If you don’t feel like getting involved, here’s our antisocial quote of the day:

“There is nothing in the world that I loathe more than group activity, that communal bath where the hairy and the slippery mix in a multiplication of mediocrity.”

Vladimir Nabokov



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Now on Duotrope!

We are pleased to announce that Oblong is now listed on the excellent writers’ resource, Duotrope: http://duotrope.com/market_7578.aspx

If you enter a piece for publication, please report the outcome of your submission and our response times to Duotrope.

Also, inane thought for the day #1: ‘Oblong’ is an anagram of ‘blog on’.

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Hello and welcome to Oblong

Oblong is a new literary magazine based in Brixton, London.

We are now accepting submissions for the first issue, to be released in August 2012.

The print edition will be 8″ x 5″ and will feature a selection of short fiction by writers from the UK and abroad. From August, one piece will be featured online every week.

We hope to hear from you soon!


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