Author Archives: oblongmagazine

A Telegram

By William Morris

 

THE PAINTINGS HERE ARE UNBEARABLY BEAUTIFUL STOP ESPECIALLY ONE CALLED FOREST AND SUN BY MAX ERNST STOP THE SUN IS SO STRIKING BUT NOT WHAT YOU EXPECT STOP THE FOREST OVERWHELMS STOP IT IS SUBLIME STOP MAKES ME THINK OF HOW I FELT LAST JUNE STOP SEEING YOUR FACE IN THE DAPPLING LIGHT STOP DO YOU REMEMBER THAT MORNING STOP YOU WERE BEAUTIFUL AND I CRIED STOP MY HEART SWELLS STOP THAT’S NOT IT EXACTLY STOP THE FEELINGS ARE TOO GREAT STOP TO BE CONTAINED INSIDE ME STOP SO LIKE THE FOREST ENCOMPASSES THE SUN STOP MY FEELINGS OVERPOWER ME STOP WISH YOU WERE HERE TO SEE IT STOP

                                            

William Morris is an MFA candidate at the University of Missouri-St. Louis. His work has been published or is forthcoming online at Crab Fat Literary Magazine and Fiction Southeast. He is the recipient of the 2015 Besse Patterson Gephardt Award for Fiction. William lives in St. Louis, where he devotes his time to cats, coffee, and creative writing.

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Community Service

By Jason Walker

 

Near our hiding spot, a pine exploded from the pipe bomb one of us had strapped to it. We made a little campfire, talked Kierkegaard. January had fought hard to stay cold, no matter how many trees we blew up. At any rate, we had improved the community; instead of chopping up all of the wood for ourselves, we’d given everyone the warmth they needed. This required sacrifice, sure, but it was worth every scar.

We stomped out the campfire when we heard the sirens in the distance. Not that it mattered; we always assumed they’d catch us one day, our thin bodies sprawled out in a deserted farmhouse, our hats hanging on an old coat rack, or maybe we’d be half-dead in a ditch, waiting for the dogs. But we knew for certain that the town, chock-full of goody-goods and staggering geezers, would never enjoy another strawberry festival, another football game, another fundraiser – and this is all that mattered. They should’ve thanked us, but they only gave us scars.

When summer came around, we ran through the woods, the sirens growing louder and louder then fading into the static of the cicadas. We carved our names into the looming trees, so that the forest, and those who searched it, would remember us. But then again, they wouldn’t forget anytime soon.

 

Jason Walker lives in Birmingham, Alabama. His short-shorts have appeared online in Monkeybicycle, The Cafe Irreal, and others. His poems have appeared in Measure, Cellpoems, and elsewhere.

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Pregnancy Scare: A How-To

By Mollie Swayne

 

1. Have sex. Introduce an element of reasonable uncertainty: martini, birth control dropped down the drain, your own memory.

2. Have dreams. There are fish in your shampoo, freckles on your palms and the bottoms of your feet, plants growing from the black crust on the floor of your oven. Things are not where they should be.

3. Look at your calendar. Consult an astrolabe, the tidal charts. Realize that, while you were not paying close attention, time has been passing. Feel your mind grow murky with inexactness. You know the end but not the beginning. You are not sure how long ago it was, but you feel it was too long.

4. Become aware of your body, your core especially. Does it feel like a church bell? A waterslide? A sun-warmed satellite dish? Are you retreating within your own Schwarzschild radius? Compare groans and gurgles. Take careful notes. 

4a. (Optional) Perform statistical stylometrics on the words in your notes to see what your subconscious knows. For example, it is widely accepted that frequent use of the word “cornmeal” is a sure sign you’re pregnant with a musical savant. Context reveals what instrument.

5. Wait. There could be nothing wrong. Maintain a nonchalant exterior. Remain as talkative as ever when with friends. If anything related to children is mentioned, let your eyes gloss over while looking at the wine list.

6. Wait more. Become an expert statistician. Dwell on percentages, timelines, diagrams. Vacillate between comfort in the mystery of your wayward body and fear of nature’s determination. Finally convince yourself you have nothing to worry about. Watch a movie where everyone dies and go to sleep easily that night.

7. Wake up bloodless and again uncertain. Go to the bathroom every twenty minutes throughout the day, each time because you think your period has started. Become so confused you accidentally pee your pants. Tell your boss you’re sick and leave early. Stay slightly bowlegged until safely home. Decide your concern has become actionable alarm.

8a. (Optional) Consult with partner. Try not to read too much into their reaction.

8b. (Optional) Conceal from partner. Depending on degree of intimacy, stop returning calls or continue grimacing at them over dinner. 

9. Go to a store where the clerks won’t recognize you. Buy ten other things with your pregnancy test.

10. Get pee on your hands as you try not to wave the test around in the toilet bowl. 

11. Clean out your refrigerator. Forget you only have to wait two minutes. For half an hour, get lost in expired soy sauce, questionable cheese, and taking out the trash. Feel lighter, cleansed. Then remember why you started in the first place.

12a. Stare at your results. Laugh at yourself and how anxious you were! You knew you couldn’t be pregnant, but you wanted to get proof and stop worrying all the same. Drop the test in the trash can and continue life exactly as before.

12b. Stare at your results. Feel the curvature of the earth.

 

Mollie Swayne has worn many hats (e.g., call center minion, janitor, ESL teacher), but this is the first time she can claim that of published flash fiction writer. She is a graduate of the University of Tennessee, Knoxville.

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Brown Church

 

By Jennifer Houlton

 

On the broadcast, he’s talking about Souls, asks us if we want to send him ours in a FedEx box or a DHL like it’s something that you can wrap up and drop off. Who knows, maybe it really is? We’re inside the church waiting for the storm to come. The siren (now adjusted for the hard of hearing too) is lighting up hot yellow and red and we’re looking out onto the grey tornado light through stain glass windows. It’s cozy inside. Our small group is softly singing and we feel safe and gooey-childlike as if no harm could ever come to us.

And really…since we all did get to safety and evacuate – it wasn’t like when you were left outside – which I’ve experienced too – when you’re among flying pieces of corrugated metal or nails hanging out of 2 by 4s. In this situation, with the ladies making and buttering toast in the basement, we were safe.

In Italy, there had been a report of priests jumping off of the balcony of the Sant’Anna dei Palafrenieri in Vatican City. “They were like diving penguins, magically arrested midair and then re-hoisted by angels and taken flight,” the reporter gasped. “Sounds like total bullshit to me,” Alice pointed up to the flat screen above the pulpit. She smiled and looked at me with the confidence of someone who knows that they are truly beautiful… “I gotta take a piss.”

In the stairway, going down to the bathrooms – a pinhole of light led me towards a puncture in the wall… a crawl space, where there lay supine – through my tight-angled view, a single leg clad in jeans.

A man’s leg. Fidgeting, looking up at – maybe a woman – and waiting. I adjusted my footing and could now see a quarter of his face, anticipant. His mouth open just so that a single shard of saliva could be seen crossing his lips and his front teeth.

He whistled as another figure came down on him, destroying my view – so now all that I could see was a moving and gyrating mash of blue jeans and white cotton. Groans of pleasure followed. Wide moans that teased me and made me pull away from my viewing hole. I ran up the steps again and away into the brown box of a church while we waited for the wind to arrive.

 

– In addition to her work in flash fiction, many of Jennifer Houlton’s plays have been produced in New York. Her film HUNT was a favorite at the Los Angeles Short Film Festival and she was one of four writers who received an Emmy for her work on the online comedy FLOATERS. Jennifer is in post-production on her feature film, WATER. WATER stars SHEA WHIGHAM (Silver Linings Playbook), Tony award winner for WICKED, IDINA MENZEL, and Academy Award nominee, MICHAEL SHANNON. Jennifer is thrilled to be published in Oblong Magazine for the first time.

 

 

 

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Fugue

By Nicholas Olson

 

We are in here. Here is where I come to pull you out of the scattered debris of who you are. Who you are is a collection of tattered trades and 45s whose dust crackles can be pinpointed to mishandling thirty years ago: an old liebe whose needle-placing skills left something to be desired. Your beard houses vermin and you scratch at it, at them. I try to smile.

I ask you how you are and you conjure that Beethoven fugue with da-dum and trills as premature moonlight pulls you into the pepto pink Chicago sky behind you, through the windows, where there are people who walk and drive and look in as you look out. Here is something for you:

fugue

fyo͞oɡ/

noun

1.

MUSIC

a contrapuntal composition in which a short melody or phrase (the subject) is introduced by one part and successively taken up by others and developed by interweaving the parts.

2.

PSYCHIATRY

a state or period of loss of awareness of one’s identity, often coupled with flight from one’s usual environment, associated with certain forms of hysteria and epilepsy.

Did I get that from the Google? (When you say it, it becomes ze Googre.) Your peeling fingers swipe my screen as the other hand twirls the trill. How are your kids? They are fine, fine. Beethoven’s French name was Louis, you tell me. Louis van. Not as imposing as the Ludwig. His nephew tried to shoot himself. In those days it was a crime. Ludwig/Louis had him placed in the army to remove him from serving the time. You flick flaking skin from your forehead onto your lap and it piles.

Your father used to listen to old Große Fuge as the smoke rolled out of the factory across the strasse. You’d ask what they were making there, why all the smoke. It was like extra clouds being manufactured: cirrus, stratus, cumulonimbus, then little dragon puffs from candlelight stories when you could hear the Sturmbannführer’s boot heels clacking on cracked pavement. You ask me to show you Facebook and I find your daughter. She has 517 friends.

You want to walk, want to breathe in the lake’s briny fake-sea smell, so I go with you. The water is the color of the factory clouds and you tell me to be silent. We listen to the music of the water, you and I, du und ich, and I help you unlace shoes, peel socks off crackling feet. You go in up to your ankles, knees, neck. The tide comes in high and gathers you, swallows you whole, breaks you down into your composite parts.

I watch you disperse, watch till day cracks open the sky and I can hear the fugue you asked for, the one your 45 never played. I go home when I know you aren’t coming back.

                              

Nicholas Olson earned his BA at Columbia College Chicago. A triple finalist in the 2013 Written Image Screenwriting Competition, he currently lives in Chicago where he’s writing a novel and wrangling a cat. He has work published or forthcoming in Every Day Fiction, Eunoia Review, Apocrypha and Abstractions, Foliate Oak, The Open End, and Flash Fiction Magazine. He can be stalked at nicksfics.com.

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Spelling

 

By Roland Leach

 

Dear Mr Maroney, you probably don’t remember me, unless through my absences. At a recent reunion we decided to form a group to talk out our schooldays. Teachers that were a distinct influence. Marked our way through life.

Your name came up first – quite vehemently in fact – especially when we recalled how you lined us around the wall for spelling. A bit like being on the other side of the firing squad. You using words like bullets. Answers quick and unfaltering, or else to the back of the line. At the end of the lesson the last five boys were strapped. Laurie O’Neill – the red head you called Blue – still can’t line up in queues unless there are five people behind him. He’s had a life of being abused or shoved to the back. Mick Taylor never had a stuttering problem till he couldn’t get out sustenance right before the bell. The perfect student who got strapped. You told him it would keep him on his toes. Den Rand hates his kids asking him how to spell a word. You kept the strap on the desk or sometimes in your back pocket. It looked like a small black tail and with your wrinkled face gave us one of your nicknames, monkey Maroney. Chris Hill still has an unnatural aversion to the lesser apes and some of the smaller tailed primates. But it was the threat of your special strap, Jumbo, you called it, speaking affectionately of it as if it was your cat or dog. The way you soaked it in oil once a month to give it flex or polished it with boot polish to keep its shine. It was hidden in a back cupboard that you kept locked. We could only remember you using it once (on Phil Ray – typical) but the fear of it kept us wary. Sam Locke had to sit next to it at the back of the room. We were seated from one at the front to forty-eight at the back dependent on our tests. His analyst attributes most of his neuroses to the palpable presence of Jumbo – alive and breathing, oiled like a body-builder in the darkness of the cupboard. You took most of our meeting, you and your spelling line and the oiled Jumbo. Steve Gatt reminded us how you would trick us into learning our lists by asking the compound word in the list or the word that rhymes with. He said you had little effect on him and had come along for the alcohol but he did say that he remembers you when he hears the compound-word that double-rhymes with pass and role.

 

Roland Leach has three collections of poetry, the latest My Father’s Pigs published by Picaro Press. He is proprietor of Sunline Press, which has published eighteen collections of poetry by Australian poets, and his most recent venture is an art and literary magazine called Cuttlefish.

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First like this, then like this

 

By Rafael Mendez

 

The flag was from Nigeria, two towers of green with white between them. Henry folded it into a triangle, the same way his father had taught him. Primero asi, luego asi, and you’re done. He could still hear the vague instructions, could see the brown hands directing an invisible orchestra. He mimicked the movements and placed it between Andorra and Costa Rica. Papa always kept them in alphabetical order, said the world only worked when countries stayed in their place. Henry mixed them and matched them. His wall chameleoned every day. He pinched the front of his university button-down and flapped it outward twice, drying the sweat on his chest. The phone screamed down the hallway. It was Ricky but it wasn’t his voice. It was the voice of a man who’d swallowed Ricky whole so that he echoed from inside a different body. The Americans won’t put it up, they won’t put our flag up. We march today. Hours later, standing across from the white mob, his friends screamed Panamá, Panamá, Panamá. The whites screamed USA, USA, USA. And before the bullets, Henry thought, Primero así, luego así, and you’re done. Primero así, luego así, and you’re done.

 

Rafael Enrique Mendez was born in Panama City, Panama in 1993. He is a graduate of Emerson College. He currently works at Fundacion Calicanto, an NGO that focuses on the at-risk citizens of his home country. His major influences are diverse and include Junot Diaz, J.R.R. Tolkien, Jorge Luis Borges, Sandra Cisneros, and Gabriel Garcia Marquez. In his fiction, he mixes both Spanish and English, a style that reflects his bilingual and bicultural upbringing. His writing focuses on the fusion of Latino and American culture and their combined influences upon his heritage as well as his personal views.

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Jobs Initiative

 

By Ron Singer

 

INTERNAL MEMO

from: Sizwe Tik-Boer, Secretary, Planning and Development

South-Central African Consortium of Works & Days

to: All Departmental Undersecretaries (42)

subject: Jobs Initiative

date: 20 October 2014

STRICTLY CONFIDENTIAL!

Introduction:

There is surely no need to remind you that the aggregate rate of unemployment in our region is among the world’s highest. Nor do I need to rehash the underlying causes of this dire situation. Finally, it would be rubbing salt in our own wounds to recall the pledge we so boldly issued at the time of our incorporation a decade ago: “Full Employment by 2014!” All of this information is readily available in the gutter press.

I will remind you, however, that none of our recent initiatives (massive works projects; tax breaks for start-ups, transplants, and old firms that hire new workers; doubling the number of civil servants, to over 700,000; and the radical expedient of paying families not to have children) has so much as made a dent in the unemployment numbers: (2004 regional rate: 37.43%; 2014 rate: 37.34%).

Comrades, it is time for us to think outside the box (which, by the way, is where many of our poorest citizens reside –in cardboard boxes).

Proposal:

In some of the world’s most prosperous cities and nations –places with low unemployment rates– there obtain patterns whereby specific ethnic groups predominate in specific occupations, occupations with which these groups, for various reasons, have been historically and culturally associated. Two examples: in New York City, pace recent diversity initiatives, there remains a predominance of fire fighters and police officers of Irish extraction; judges and lawyers, Jewish; Sanitation workers, Italian; etc. In Honolulu, Hawaii, the pattern is, perhaps, even more pronounced. Unsurprisingly, the Chinese work as merchants and in restaurants; the Japanese, as secretaries and civil servants; and “native” Hawaiians, Samoans, etc., as menials and nightclub entertainers.

In our own region, as well, many jobs employ specific ethnicities, sometimes in shameful ways. Consider the Zulu war dancers who perform for patrons at upscale restaurants, spicing their meals with a frisson of bellicose thrusts and parries. No less obloquious, perhaps, are the township tour guides who offer visitors ethnic meals and a view of “how we, the —- (fill in name of group), live.”

Putting aside, for the moment, the vexed question of stereotyping, let me propose that we could bring tens, even hundreds, of thousands of the unemployed into the workforce by re-organizing, along ethnic lines, jobs presently lurking in the shadow economy. By suiting job to culture, we could marshal pre-existing skills and bring dignity to hitherto despised tasks. No less important, transferred to the regular economy, these jobs could generate substantial tax revenues, not to mention dramatically lowering the official rate of unemployment. To give you an idea, here is a preliminary list:

San/Basarwa: beggars who collect trash from automobile owners at stop lights (foragers).

Zulu & Xhosa*: people who stand watch over parked automobiles (herders).

* To avoid conflict, each of these two major ethnicities could be assigned half the brands of automobile.

San/Basarwa*: touts for restaurants, nightclubs, and other businesses (hunters).

* Allocating two occupations to this single ethnicity can be justified by their astronomical unemployment rate, twice that of any other group in southern Africa.

Whites: organizers, overseers of the above (baases).

The Ball Is in Your Court:

With this concept in mind, each and every Departmental Undersecretary is hereby directed to transmit to my office, by the end of the month, the following:

1. A list of ten (10) other shadow-economy jobs and the ethnicities to which they are best suited.

2. Breakdown by profession/ethnicity of numbers of putative employees.

3. Detailed timetable and cost estimates for implementation.

4. Draft outline of a public relations campaign.

5. 2-3 possible titles for the initiative.

6 (optional) Any constructive criticism you may decide to venture.

Let me close by reminding you that your cooperation in this endeavor is essential to the economic future of our region, not to mention the continued job security of each and every one of you.

NOTE: Owing to the potentially controversial nature of this proposal, and to the fact that it is in the embryonic stage of development, it is essential that the proposal be considered STRICTLY CONFIDENTIAL and that it NOT be leaked to members of the press! THIS MEANS YOU!

(signed) GP-N, per SP-B

Secretary, Planning and Development

S-CACWD

 

Satire by Ron Singer (www.ronsinger.net) has appeared in many publications (The Brooklyn Rail, Coffee Shop Poems, diagram, Evergreen Review, The Journal of Microliterature, Mad Hatter’s Review, nth position, Word Riot, etc). His eighth book,Uhuru Revisited: Interviews with Pro-Democracy Leaders, was issued February 1st, 2015 by Africa World Press/Red Sea Press. This is Singer’s second appearance in Oblong.

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The Backwards Child

By Matthew Cook

 

From the moment my brother Jonathan was born it felt like everything he did was the wrong way round. He reached out for father’s bulbous nose with his left hand, not his right. All the lush black hair he arrived with slowly fell out and refused to grow back. I hardly remember seeing him eat, but I lost count of the times he was sick on me or someone near me or on the floor or on himself.

Other people noticed it too. When he started going to nursery he was loved by his carers for being so talkative, such a big grown up boy. But as the months passed they too became baffled and suspicious, complaining that he had failed to thrive. That he seemed to have forgotten so much.

It was all very distressing for our mother. Jonathan was her only son and she encouraged us to see him as she did, as the great hope for our family name. She talked brightly about what it would be like when he was fully grown, when he filled every available inch of whatever room he was in, and how we would all dance around and over his giant body like Lilliputians, serving him food, darning the spots where his muscles burst through his clothes and preparing him for the important tasks he had been born to do, on which subject she was frustratingly vague. I joined in with the cuddling and the cooing and the worship, keeping my distrust to myself. When he was handed to me I pinched his fat skin folds with my fingernails to hear the sharp little breaths that followed. I was nine years old, and there wasn’t a single book in our house I hadn’t read. Yet overnight I had been usurped by a ball of fat and wind.

We lived in a town called Bingford. Like Jonathan it was too small and backwards. The residents were sweet natured and kind, though we rarely had out of town visitors on account of Mr Hamaduri. Mr Hamaduri’s restaurant was the first building on the main road, and the manner he had of rushing out from the shadows to greet approaching cars with open arms scared most tourists away (and did them a favour really, as I now know things about Mr Hamaduri and his restaurant that I wish I did not).

Of my sisters, Olive and Faye thought Jonathan was the bee’s knees, but thankfully Carol disliked him almost as much as me, and we spent many pleasurable afternoons plotting against him. The only memory I have of us actually playing with him was a game we invented called Sliders. It involved placing him on a tea towel then spinning him across the dining room floor to one another, like a fat, giggling air hockey puck. The rules demanded that he be naked for some reason. (A revelation: was this why he was so often sick?)

There were a number of theories as to why Jonathan was so strange. The first was that father took his job in the chemical laboratory just before Jonathan was conceived and so his sperms may have gone peculiar (this is what mum believed). Another was that the fifth child is always wonky, or so said grandma Hattie. ‘The first is the champion, the second ignored, the third a comedian, the fourth sweet natured and the fifth as twisted as a monkey’s leg. It’s all there in the bible!’ she often declared, and even dug a yellowed St James’ out to prove it on one occasion but ended up entertaining us with lurid descriptions of the end of the world instead. There were other theories too: milk poisoning; exposure to cat faeces (Hattie owned seven); genetics (mother and father are third cousins, though we are not supposed to know); and evil radiation from the electricity pylon behind our house.

As the months passed and passed my fantasies of destroying Jonathan became ever more vivid and specific, and I dedicated countless pages of my diary to drawings and descriptions of my plans. I was working on them feverishly in my room one Sunday evening when I heard noises downstairs. Carol had noticed that Jonathan was very pale. Mother had called Dr Harris, who said there might be something wrong with Jonathan’s heart. There was no discussion. We simply ran for the car in our pyjamas and threw ourselves in. The surgeons went straight to work. For hours we sat in the hospital waiting room staring at the black and white checkerboard floor wondering what sort of game this was. Inside my head a single thought turned over and over like a washing machine; it was how in New Zealand water spins down sinks the wrong way and so maybe Jonathan’s heart pumped everything the wrong way and always had so perhaps we should just go there because Jonathan’s heart and possibly his whole body wanted to be a New Zealander and who were we to argue.

But I didn’t say anything. Nobody said anything. Time slowed to a trickle. Father handed out blackberries which we ate until we felt sick, succulent little hand grenades that exploded in our mouths and left their shrapnel wedged unbearably in our teeth.

When the doctor finally came out to speak to us I was almost blind from staring at the checkerboard. We all looked up as one and saw that he was walking fast towards us, the way you might walk to sneak up and attack someone, his trainers squeaking faintly on the tiles. Then he began to talk, and I couldn’t hear a word, because time had finally stopped and reversed itself and all that existed in the entire universe were the white laces of his trainers, one a neat little bow, the other unfurling, treacherous and wild and without end.

Matthew Cook has been a hospital porter, a script consultant and a retail snoop but is currently a freelance writer based in Liverpool. His fiction and reviews have appeared in Number Eleven, Small Doggies, PANK, Tusk, Imbroglio and Cooldog. You can sometimes find him on Twitter @mattjohncook.

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Open Wide

 

By Caitlin McGill

   

Cut the cobbler into exactly twelve slices. Measure a sheet of aluminum foil. Sixteen inches wide. Cover. Seal it tight as you do coffin lids. You know when people accidentally see inside they hanker for more, crave another peek. Don’t make that mistake again. Remember: your meticulousness is why they say you’re the best. Don’t lick the caramelized sugar off your fingers, either. You don’t even like cherries. Plus, you’ve only washed your hands twice since the last client.

Count your steps as you walk—one, two, three four five—down to the basement where Mickey lies. Tell yourself six days isn’t so long. You’ve stored them for weeks before, especially for non-religious kin. They’re never in a rush. This time, for triple pay, you agreed to keep the body off the books. You let Mickey’s wife keep her secret but wonder why she told you so much, why she told you Mickey’s favorite was cherry and that the last thing he did on this earth was pull a fresh cobbler from the oven, red oozing over the crust. You wonder why she trusts you. It’s making you anxious. But when aren’t you? Inspect the body again. Ensure the powder hasn’t caked onto his hardened skin. Ensure the lips are that perfect shade of alive that wins you compliments—and clients. Don’t fret about the skin blistering yet. You’ve got at least three more days, but the smell—that’s becoming a problem. Worry your grey split-ends in your naked, bony fingers. Button his slate dress shirt up to his neck, to cover the gash. The casket she chose reminds you of the snake-bark maples in your backyard. Run back upstairs and spot them outside, scratching the ashy fall sky with their purple-red branches, bark covered in silver, sinuous veins. Count. Seven. Same as when you checked two hours ago.

The doorbell sounds. Pull your apron over your head and leave the mixing bowls in the sink despite the anxiety this causes you. She’s early. You’ve never understood why people don’t care for precision like you do. How lovely to see you, Mrs. Donovan. Please—come in. Lead her to the kitchen where you reveal your thoughtful surprise. Peel foil from the tin and claim two pieces. Seal it tight. Don’t forget the forks. Take three steps to the right so you can’t feel her breath on your neck anymore. Thank yourself for using the knife before she arrived. Take her down to see Mickey again—you’re especially proud of your work this time. Let her stare. Let her try to exonerate herself—why couldn’t he remember I hate cherries? Why couldn’t he ever remember anything about me at all? Say you’ve never liked cherries much either—never liked people much for that matter. Assure her you understand until she insists you eat, in his honor. Feel the fork slice through cherry. Open wide.

 

Caitlin McGill is the 2014 winner of the Rafael Torch Nonfiction Literary Award, and her work has appeared or is forthcoming in Crab Orchard Review, Digital Americana, Solstice, The Southeast Review, Short, Fast, & Deadly, Sphere International, Spry Literary Journal, and several other magazines. She is also a writing instructor at Emerson College, where her students continually remind her of the power of language. Currently, she is completing a collection of essays that explores identity, race, class, addiction, war, empathy, and the destruction that results from ignoring those very issues.

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